Friday, September 28, 2012

Week 2 results

First, a detail I'll explain a bit: I do *two* preschool storytimes for the Head Start, meant to be the exact same storytime twice back to back. I do this because this Head Start is the biggest in Oakland, with more than 80 kids enrolled. They're divided into four classrooms, and I read to classrooms 1 and 2 at 10:30, 3 and 4 at 11. When I first started at this library, I had all four classes come at 10:30, and it was so big and noisy that the kids had no hope of paying attention. I asked the director if she would like to send just two groups at a time and she said yes.
This will be especially relevant this week...

Okay, so group 1. I started with the sit-down-shut-up song, then my two standard openers:

Good Morning, Dear Earth (note, I do not know this kid, and the video's not mine, it's just really cute)


and Two Little Bluebirds, aka Two Little Blackbirds, aka Two Little Dickey Birds, which I could never say to a class without laughing.

(again, not my video. Also I don't end by running into the wall.)

On to the first book: Big Sister, Little Sister, by LeUyen Pham. Sorry to say it because I like this book quite a lot, but the little ones were not impressed. There's not much of a *plot* to speak of, it's mostly a list of things the big sister does with responses as to what the narrator can/can't do because she's the little sister. As I was reading it, the lack of a dramatic storyline jumped out at me for the first time.
The kids looked bored and started getting squirmy by the 10th page.

Book 2: To Hilda, for Helping, by Margot Zemach. WOW, was this a polar opposite from the first book. Barely any dramatic tension in BSLS-- the sisters compete a little, but always in a fun-loving way. It's not hard to picture the sisters in THFH someday having really awkward Thanksgiving dinners that turn into screaming fights with hair-pulling. And the kids were *riveted.* When the mean sister started saying mean things, they repeated them with that glassy doe-eyed stare. Hilda's sister calls her medal "nasty," which I read like nay-aaassty, the East Oakland way. Local pride! At the end, they had a lot of comments about how medals don't really grow on trees and we talked about how that's in her imagination. Even the ending of the book isn't what I'd call positive-- it's Hilda rubbing her medal in her sister's face again. But yeah, they liked that too.

The truest sign that this one worked? In week 3's storytime (yeah I'm behind), a character was helping and I asked what reward Hilda got for helping last week, and one little boy called out "a medal!" Week-to-week retention!

Book 3: George and Martha, by James Marshall. Fortunately, I did not make the mistake I've made before and pick up the G&M book where Martha smokes a cigar.


George and Martha is a subtle book. The humor lies in a difference in scale; the words will say "Martha was mad" while the picture shows her fuming. I've had classes that didn't get these books. This one did, but I think the stories dragged on for them-- there are several short stories in the book and they started squirming around story 4. All was redeemed though by the image of George creeping on Martha in the bathtub, and then the next picture with the bathtub on George's head.

So remember how I said the two storytimes thing was relevant? The second group showed up early. We were nearing the end of G&M and they all started filing in. Bad news! I ended the book a bit early (just skipped the last story) and segued into our goodbye song and dismissal routine. Still a little hard getting all the kids around each other. The aisles are not wide.

When I give stickers, the kids always yell out "I want blue!" I want red, etc. I tell them "you get what you get!" meaning you don't get to choose your color. Seems simple, but come on- we'd be there all day.

Next week, I explore BEING the big sister. Circle up!

--Miss Amy

Monday, September 24, 2012

Week 2: My Big Sister

For the first few years of my life, the world was my big sister.

It was just the two of us. The four other kids my parents would produce were years in the future, and there were no pets, no cousins, no relatives close by. Our parents chose friends for us by noting who in my sister's classes had one younger sibling; Katie was friends with Shana, so I was friends with Stevie. And actually, we shared some friends, like Reagan and Elizabeth, though we didn't share them well-- we fought over them.

We fought over everything, now that I think about it. We had a lot of similar, though not the same, toys, and we fussed and smacked each other over whose was that Barbie, that My Little Pony, that baby doll. Our parents circumvented this in the next generation: my two younger sisters, also born three years apart, received the exact same presents for every birthday and Christmas until the Christmas morning the older one broke down in tears when the younger opened a present, because we always opened youngest to oldest and that meant she always saw what her presents were before she got to open them. Nice try, Martin parents.

Big sister was my only company and therefore she was by default my best friend. I don't think I was always *her* best friend. But she had no choice but to include me in everything. Like the time we touched our poo* and proudly announced to our mom that we had done so. My mom was never a germ freak and so the frenzy of scrubbing that followed caught me slightly off guard.

The Storytime:
This one was harder than the last to put together. "Babies" is kind of a softball topic. This time, I went with a loose theme of "big sisters" but looked for books that reflected something about big sister's and my relationship. I knew this was going to outstrip my current collection, and I left myself without enough time to place holds, so off to the Main Library I went.

I already had a couple in mind:

Big Sister, Little Sister, by LeUyen Pham

This one's pretty recent and I've used it in storytime before. It's all about how the big sister can do things the little sister can't, then ends with the little sister asserting that she is best at being the little sister. Aww. It has brief, catchy text and bright, cartoony illustrations, and I thought it would go over well.

No Fighting, No Biting! by Else Holmelund Minarik, illus. Maurice Sendak

This is one Big Sister and I read often as kids. It's got great dialogue, the ever-intriguing subject of "biting," and pen and ink illustrations by Sendak that show his terrific skill with realism. It's an early reader and a little long for storytime, but I wanted to revisit it and see if maybe I could read an excerpt. I am pretty sure I tried to bite Big Sister a couple times and may have landed one or two. I remember little circles of teeth marks on skin. That's okay, she once kicked my front tooth out (it was loose).

So I went to the Children's Room of the Main Library. I tried using Goodread's mobile scanner, but it couldn't read some of the barcodes--maybe the mylar threw it off? Also, I didn't realize you have to physically save everything you add, so sadly, I created some really nice lists that were not there next time I logged in. If you want to see all the contenders for this week's storytime, check back for a link to the Goodreads list; I'll be keeping lists on Goodreads for all books used and considered for autobio storytime.

Here's what I decided on:

the aforementioned Big Sister, Little Sister, by LeUyen Pham

To Hilda, for Helping, by Margot Zemach

This is the reason I'm doing this: To Hilda, for Helping is TERRIFIC. There are three sisters, one of them is helpful, the others are not, their dad makes the helpful sister a medal, one gets intensely, diabolically jealous. Not content just to push and not share, Gladys opens her mouth and gives Hilda some major attitude:
"Someday you're going to lose that medal. In the summertime you'll take it outside and you'll drop it in the dirt. It will get dirty, and the rain will rain on it and make it rusty. People passing will step on it and kick it under a tree."
It goes on for... pages.

Interestingly, though I could not find a picture of Hilda online, I did find this one, also by Margot Zemach, which made the email rounds at my work as WTF book of the year:


George and Martha, by James MarshallBit of a curveball. I did actually put together a lovely "sisters" storytime with four titles that fit my theme and my relationship with my sister. Unfortunately, when I put them all together, at least three out of the four looked really similar. I knew I had to vary things a little more or my audience would be just sitting there daydreaming about graham crackers and juice. I went for George and Martha because a) I've used them successfully in storytimes of the past, and b) the way those two lovingly squabble totally reminded me of older sister and me as kids.

Close Your Eyes, by Kate Banks

No, I didn't just cop out and pick something cute. Big Sister had a tiger collection as a child, one I coveted ceaselessly. There were rules around which tigers I could touch and how and when. I had the most free reign with Fudge Stripes, who I was allowed to hold up high with one hand and plop into the other hand. This little guy looks like Fudge Stripes.

Roundup to come!



*I don't actually remember whose poo it was.

Week 1 Results

This was also my first preschool storytime of the school year, so I'm going to spend a bit of time on this one.

Ahh, that first preschool storytime. They never come the first week of preschool, because everyone's still adjusting to the shock of getting dropped off by mom* and then STAYING THERE for several hours, WHILE MOM GOES SOMEWHERE ELSE. I don't personally observe much of the first week, but I picture it being like a combination of an efficient trauma ward and an adorable children's tv show, with teachers flipping back and forth between crisis management and cheerful songs about colors. I stopped in on Wednesday at the Head Start that first week to ask the director if they'd be coming, and just as I thought, the answer was "nooo, we think we'll start next week, if that's okay."

That's okay. So it's actually week 2 of preschool that the new classes shuffle in. They are new to walking in line, so they go a little like prisoners, prisoners emblazoned with stickers on their shirts that say "Great Job!" They wobble, fall out of place, and are nudged back into line. Some are crying. Many look terrified. The rest look confused. And there's always one who appears completely oblivious to everything that is going on and is just bopping along happily and yelling and grinning and eventually has to be the teacher's sitting buddy.

I set up the room carefully for preschool story time. It's a process I honed last year, when the months from March-June were my first at the library and working with the Head Start, which is two doors down from us, inside our big abandoned mall. (Yes--it's a long story.)

  • I roll up the rugs and put them away. They are decorative rugs, and seem like the ideal story time setting with their huge colorful fish and letters and numbers. However, after watching kids pushing each other incessantly, I realized that they were all trying to fit on the rug, which is not possible with such a large group. So now I roll up the rugs. Much better.
  • I place a line of masking tape on the floor, in front of where I sit, to give them an expectation of where they will sit.
  • I put my chair out, and my story time easel with all the books on it, and my props hidden behind.
  • I move the tables out of the way and put a circle of chairs in the back for the teachers and other adults.
  • I get out my number signs--the HS has classrooms 1, 2, 3, and 4, and to make dismissal time easy, I put numbers out corresponding to the classes that are attending, and then tell kids at the end to line up by their number and I will give each one a sticker. Sounds a little complicated, but I don't think you want to know about the chaos and trauma that ensued with each story time dismissal before I put this in place. Inevitably one kid would jump up to hug me..... and then TWENTY kids would jump up to hug me. And all run at me at once. And TRAMPLE each other. Seriously. A couple times they, no joke, almost knocked me off and I would have taken out at least two behind me if I'd gone down. I had to create some kind of process so we wouldn't have any story time dismissal trampling deaths. It actually works really well.
I do two story times for the HS, since they have so many kids-- two classrooms at 10:30, two at 11.

At 10:30 on the dot the wobbly line breached the front door of the library and snaked and sniffled its way back to me. I welcomed them, and directed them to the line on the floor. They sat all over the place. I went around telling each kid "let's move your body so that you are sitting on this side of the line," etc, until they were all in a semblance of group audience seating. This took about five minutes.

Some of the kids know me from last year, and they wave and smile and shout "Hi Miss Amy!!" This makes me feel great. Awwws.
The new ones have no such comfort or familiarity. They stare at me with a mixture of nervousness and the dullness that comes with resigning oneself to a crazy new reality, a stage in the process of accepting that Mom Is Not Here.

"Good morning, everyone!" I say with a glowing, nurturing smile. A child in the front row immediately bursts into tears. I take a hand and lead the child to teacher while assuring everyone that it's okay to feel sad or nervous, everyone does sometimes. "Maybe he misses his mom!" one cries. "Yes, and that's okay," I say. Another in the front row yells triumphantly "I'm not crying!" "That's great" is my reply. I just want to start story time now, okay. "I'm a big boy, and big boys don't cry!" he adds. "Well, sometimes they do," I say. "Sometimes big boys need to cry." Sink in, Life Lesson.

And finally we can start. I begin by singing their own version of what I call the sit-down-and-shut-up song. It involves lyrics around eyes watching, ears listening, etc. I will sometimes have to sing this upwards of five times during a half hour story time.

I kept the finger plays minimal for this one; most kids don't know them yet, so we need to ease in. After Jiggle Joggle Jee, we did "Here Comes the Choo Choo Train," which went over well. And we sang "Rock-a-Bye Baby," which was also a hit.

So. The books!!

Jiggle Joggle Jee: the first reaction was a yell from a child in front, "this is a baby book!" I ignored him. Soon he was enraptured like the rest. Oh, they liked this one. Immediately I had kids repeating the "loky smoky stoky" refrain. Lots of smiling faces as this one wrapped up. One good reason, with my group, to choose a beginning book with a fun nonsensical refrain like this is that a good number of the kids don't speak English yet, having only spoken Spanish at home with their families. It's easy for those kids to repeat fun sounds with the others.

The Baby in the Hat: this was a surprising hit. The baby-in-hat image seemed to rivet a large number of the kids right away. "He's in a hat!" "Baby in a hat!" "He fell out the window!" Okay, it's a female baby, but whatevs. Moving along. The story is actually pretty easy to follow, despite the old-fashioned setting and characters, and they loved hearing that the boy fell off a bridge and into a ship. They loved the pirates! And they liked shouting "ahoy matey!" with the pictures. And at the end of the book, after the couple gets married, there's a picture where the two are on a ship and the baby is behind them, clinging to a rope and flying in the wind--they LOVED that. "The baby's flying!" One little boy, doe-eyed stare and all, said "baby in the hat" at random through the rest of story time. So, the one I was unsure of actually went over *great.* This one's going on my regular story time roster.

Baby Goes Beep: total win. I read the sounds, then pointed to them and had them repeat "beep beep, beep beep" etc. It took a while for them to get it but they did with teachers' help. By the end of the book, they got the repetition part and were smiling.  

We finished up, sang our goodbye song, and got in line. Everyone got a sticker. No, you don't get to choose your color, you get what you get. And we'll see you next week.
I was really happy with this as a first story time. The kids were into it, and most left smiling. Next week will be a bigger challenge, as I delve into my childhood beyond birth and explore my bond with my older sister. Of course, they won't know that. But I will. And so will you, dear reader.
See you next time...

--Miss Amy



*In my library's neighborhood, yes, it's almost always mom. I see very few dads with young children. A lot of the moms are single. Sometimes I'll say to a preschooler something about "your mom or dad," and when I do 90% of the time I get a response of either "I don't have a dad" or "my daddy's dead." Guh.

Thursday, September 20, 2012

Week 1: I Am Born

Starting with an easy one: what's the first thing that happens in anyone's life? Well, you get born, right? Natch!
New baby books are everywhere-- though never quite as many as you need, am I right? And I always make sure to ask parents, when they want a new baby book for an older sibling, if we are (trans: "child is") happy to be getting a new little brother or sister, then base my choices accordingly. If the kid is thrilled, I don't want to give them a book where the character is groaning about "that new baby" and introduce the idea that they should be unhappy; if they're unhappy, I can ease them into a choice where the character gradually decides that new baby's okay. No need to introduce drama where there isn't any.

The Storytime:
I kept this simple on me and on the kids and picked out three books about babies:


I love this book. I used to read it at storytime in Chicago and was dismayed to come to California and find that almost no one had it. It's got great rhythm, a TRAIN, beautiful watercolors (love me some Sam Williams-- he nails the sweet but misses the treacle), a TRAIN THAT CAN FLY, and a fun-to-say refrain: "Loky moky poky stoky smoky choky chee!" This book is out of print and I have no idea why except that life is unfair. I bought my own used copy and recommend you do the same.


This book popped into my head as soon as "baby theme" did, and I tried to nix it. It's set in Colonial England-- a long long way from East Oakland, California-- and is a weird story. Baby falls out of window, kid catches her in his hat, kid grows up to become sea captain, kid meets baby as adult and they get married. Simple and classic, I think not. (Plus it uses words like-- okay, scratch that, that was my own misguided perception, because I just looked through the whole book and the language is actually very simple. "Got lost in London--/Oh, the Fog was thick--/Fell off a bridge/And landed in a ship." So okay, colonial England assumptions were made on my part.)

But something told me this one might work. To begin with, it's unusual. It has a strong, weird image in that baby in a hat. Also, the text is very short so I thought maybe with good pacing I could pull it off. This is all an experiment, right?
The Baby Goes Beep, by Rebecca O'Connell, illus. Ken Wilson-Max

Something fun to wrap up with. I like this one better in a board book than in the trade, though I don't know why--perhaps it's the smooth, clean flip of the board book pages. Or the fact that the type makes the words stand out so clearly you want to grab them, and in a board book, YOU CAN.

Next post: Week 1 round up! How did my first autobio storytime go over? What fingerplays did I use? How many criers were there? Tune in!

Saturday, September 15, 2012

On storytime, themes, and High Fidelity

The Challenge: revitalize my preschool storytimes by following a thematic unit based on my own life.
The Time Frame: 17 weeks
The Tools: all of children's literature, and an undergraduate degree in literary studies.

I really love doing storytime. It's one of my favorite parts of my job. But lately, I've been sagging. I took a new position within my library system in March of 2012, and storytime here is really, really different.

To begin with, my picture book collection is tiny. And I weeded it immediately upon arrival to make it even tinier. Circulation is low at my branch, and I found myself weeding clean, sturdy copies of classic books because they hadn't been checked out in oh, a dozen years. So I'm starting out with about 18 shelves' worth of circulating picture books. The last library I worked at was the main library for my system; I was in the children's room, which was basically its own small library. We had everything. Everything Margaret Wise Brown wrote that's still in print, and a few that aren't. And if something wasn't on our shelf in the children's room, I could creep into storage and probably find a historic copy, usually not a first edition or anything but still old enough to smell good. We had a copy of the Gertrude Stein picture book, the one printed on rose-colored paper with navy-blue ink that is just kind of long and incomprehensible, and I would never use it for storytime but oh, wow-- just to touch it. (Thanks to the OMCA White Elephant Sale, I now have a copy of this as well.)


Before that, I was at a tiny branch with a HUGE picture book collection. It was a really wealthy neighborhood with a lot of young kids and the picture books circed like crazy. I had to buy *everything* new and noteworthy, and I had to have the classics on the shelf too.
Storytime here was kind of optimal storytime experience. The kids listened, laughed in the right places, didn't push each other over during "Twinkle Twinkle," etc. And their parents came. They were used to storytime, already loved it, and pretty much ate out of the palm of my hand no matter what I read.

Which brings me to the other storytime obstacle I'm having at the new branch: with a few exceptions, the kids are not accustomed to storytime, and their attention spans and verbal skills skew young. Last year I tried reading mostly fun! books! with lots of funny sounds and interactive elements--the kind of thing I might read to a toddler group. But they didn't necessarily love these. They had fun with some of them, but at four and five years old, they were really craving a story.

By summertime, when the Head Start took a summer break and preschool storytime dwindled to just a few kids, I was putting very little effort into preparing for storytime. Some of that was by necessity because we were summer-busy, but also, I was bored. Somewhere in August I realized that I was just grabbing things off the shelf in the morning before 'time and doing the same songs and fingerplays every week. Very interesting it wasn't.


Feeling frustrated at being uninspired by something that had always been so joyful for me, I decided to kick it into high gear by using THEMES! We always did themed storytimes at my first library, and while in the past it's felt like a school assignment to me (blurg), I've also noted that it's a challenge, and a challenge is what I need right now.

What theme? Bugs? Been done. Animals? Meh. And then I remembered the great scene from the great movie High Fidelity where Dick asks Rob what order his record collection is in, and he tells him... autobiographical.

And that's the moment autobiographical storytime was born. For 17 weeks-- roughly half a school year-- I will do my weekly preschool storytime on a theme based on my own life, running in chronological order. Barely talking in school, deaths of cherished pets, family members' eating disorders, happy vacations, moving cross-country, depression, falling in love with my career---it's all fair game. Though it may not be super recognizable once converted into a 30 minute children's storytime. That's why I'll be keeping this blog, to record the process.

The Goals:
  • Using my own life as a theme, create a developmentally appropriate storytime each week
  • ...that will be enjoyed by kids who are new to a storytime setting
  • Refresh my enthusiasm for preschool storytime
  • Discover books I haven't read before
  • Use new rhymes and fingerplays that match the themes
  • Engage kids in books that aren't necessarily crowd-pleasers
Vive la storytime!